‘Only Fans’ uses erratic layering that combines harsh, sharp noises with disjointed lyricism, prompting overstimulation and oozing experimentation. It’s skipping piano rolling across the runtime like pastures green in the distance. One of the songs most prominently infused with nature – production accentuating a buzz as if insects surround you. ‘Jasper’s Song’ is the delicate follow up that sounds like the track is skipping or the record has been warped, adding a physicality to the experience. ‘Get U’ manages to capture vibrating basslines and whistling high frequencies that mimic proximity to a speaker, eventually blossoming into a light, yet grandiose layering of sounds that are euphoric. The middle of the album is perhaps the strongest portion, as Streten begins to push his own limits by incorporating expansive abstract elements. Immediate stylistic whiplash presents intrigue for what is yet to come. This is followed quickly by ‘Say Nothing’ which breathes a little life into the project thanks to vocals from MAY-A, lifting the dark, understated production above the clouds in this dreamy track. Opening with the lyrically sparse ‘Highest Building’, it combines elements of hyper pop with glitchy synths that ultimately lack a little punch. Whilst the track list is a little bloated and repetitive in places, there are some moments of true genius that will surely stand out amongst the rest of his discography. The album weaves together an amalgamation of edgy pop vocals, bold synthesisers, and impressive features. Streten cited rural life being the driving force behind the development of the album as it draws on influences from his move back to rural Australia, after he was prompted to depart Los Angeles during the pandemic. He is set to release ‘Palaces’ Friday 20th May 2022, which is his first full length LP since 2019. His conscious experimentation has littered his discography with a unique sound that is instantly recognisable amongst listeners. In a statement, the producer said the song is about feelings of post-relationship clarity he also wrote the song during the pandemic.Latest Flume album ‘Palaces’ builds an expansive sonic kingdom fit for a king.Īn abstract and consistent artist within the electronic music space, Flume (Harley Streten) has never failed to deliver the unexpected. To accompany his record announcement, he released the lead single " Say Nothing," featuring May-A.įlumes' first single appears to be connected to his collaboration with Polacheck, as he was also wearing a racetrack suit in the music video. According to Pitchfork, the album will be released on May 20. In February, the Australian electronic music producer announced his upcoming album titled "Palaces."Īside from Polacheck, the record will feature collaborations with Damon Albarn, Oklou, Kučka, and Vergen Maria. Speaking about the lyrics, Polacheck said, "feeling so small, unable to control anything in the world, and the lyric 'sirens' was in reference to constant ambulances I was hearing" because she was "really going through it. The "Breathless" songstress wrote the lyrics during the early stages of the COVID-19 pandemic in London, United Kingdom. Harle played one of Polacheck's voice notes, which later became the basis for "Sirens." When the latter moved to Los Angeles, California, they often ran into each other and met up to play games of "Magic: The Gathering."ĭuring a session, producer Danny L. READ ALSO: Harry Styles 'Treat People With Kindness' Collaborator Not Credited? įlume and Polacheck have been friends for years. The video revolves around the theme of "nature and technology, transcendence and materiality."Īskill then expressed his gratitude to an "incredible team of collaborators" consisting of Khalid Mohtaseb, Jonathan Zawada, Dion Lee, Serial Pictures, and Collider's Glenn Stewart. Today, director Daniel Askill revealed to the outlet the symbolism and the meaning behind the music video, saying the song inspired him to create a film. The singer saved him, and they left the area by slowly flying out. In the end, the record producer is revived after Polacheck reaches him at the bottom of the cave. Throughout the song, the two slowly approach each other. At the same time, the electronic producer, who appears to be wearing a racetrack suit with a helmet, lies unconscious at the top of a lake in an underground cave. Flumes released a music video for his collaboration with Caroline Polacheck titled " Sirens," and many fans were amazed at the visuals and the concept what is the meaning and symbolism behind the track's video?Īccording to Uproxx, the 36-year-old songstress can be seen descending from the top.
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